Search results for "Médias sociaux"
showing 4 items of 4 documents
ChiLab4It system in the QA4FAQ competition
2017
ChiLab4It is the Question Answering system (QA) for Frequently Asked Questions (FAQ) developed by the Computer-Human Interaction Laboratory (ChiLab) at the University of Palermo for participating to the QA4FAQ task at EVALITA 2016 competition. The system is the versioning of the QuASIt framework developed by the same authors, which has been customized to address the particular task. This technical report describes the strategies that have been imported from QuASIt for implementing ChiLab4It, the actual system implementation, and the comparative evaluations with the results of the other participant tools, as provided by the organizers of the task. ChiLab4It was the only system whose score re…
Médias sociaux et gestion de communautés - applications dans le domaine de la gestion de la relation client
2018
Customer relationship management (CRM) is a term that emerged in the middle of the 1990's, and that is often used to describe computerized tools that provide services to consumers before, during and after a sale.These consumers have followed the transformation of the Web that has happened in the last few years, where each user becomes a supplier of content using tools like, amongst others, social networks by sharing resources, content, and annotating. General use social networks, such as Facebook or Twitter, are now used daily by a very large number of users.Companies have to follow this evolution and include social networks as a new communication channel in order to interact with their cli…
“Fear No More”: Gender Politics and the “Hell” of New Media Technologies in Michael Almereyda’s Cymbeline (2014)
2018
The paper focuses on Michael Almereyda’s Cymbeline (2014), a modernized re-telling of Shakespeare’s play in which the Briton motorcycle gang, led by drug kingpin Cymbeline, comes into conflict with the Rome police force, led by Caius Lucius. In the film, which has been defined as “Shakespeare in the Instagram age,” sustained attention to media practices and technologies competes with the incorporation of textual material. In particular, the film displays a conflict between old media, including Shakespearean textual inscriptions (e.g. the “Fear No More” woodcut that Posthumus makes and sends to Imogen as a gift), and new media technologies, pervasively associated with perverse visualization …
L’inscription des formes brèves dans les processus de médiations documentaires sur le Web et les médias sociaux
2021
International audience